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Participation: 80%-99%
Unique Notes: 11 - 15
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SDG
When peace, like a river, attendeth my way. It is well with my soul. 't zij vreugde mijn deel is, (Joh. de Heer 264)
SDG
1:01 Est. Play
Time
22 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 11 1 1 6 100%
Tenor/Bass Bass 14 1 2 5 95%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 11 1 1 6 100%
Tenor/Bass Bass 14 1 2 5 95%
 
Legends of the Infancy, Christmas carol, MuseScore simulated organ.
SDG
0:45 Est. Play
Time
23 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Bassoon Bass 10 0 0 5 51%
Bass 9 0 0 5 100%
View all 20 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Bassoon Bass 10 0 0 5 51%
Bass 9 0 0 5 100%
Bass 9 0 0 5 100%
B♭
Clarinet		 Treble 13 0 3 5 100%
C
Trumpet		 Treble 13 0 3 5 100%
English
Horn		 Bass 15 0 0 5 100%
Flute Treble 13 0 3 5 100%
Oboe Bass 9 0 0 5 100%
Organ
LH		 Bass 9 0 0 5 100%
Organ
RH		 Treble 13 0 3 5 100%
Piccolo Bass 9 0 0 5 100%
Picolo Treble 13 0 3 5 100%
Soprano/Alto Treble 13 0 3 5 100%
Tenor/Bass Bass 14 0 0 5 100%
Voice Treble 13 0 3 5 88%
Treble 13 0 0 5 88%
Contrabassoon Bass 10 0 0 5 51%
Double
Bass		 Bass 10 0 0 5 51%
Pedal Bass 10 0 0 5 51%
pedal
Flute		 Bass 10 0 0 5 51%
 
Enigma variations, Nimrod, Eward Elgar, Lux Aeterna
SDG
3:44 Est. Play
Time
45 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto
I		 Treble 14 0 2 9 100%
Alto
II		 Treble 12 0 2 9 98%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto
I		 Treble 14 0 2 9 100%
Alto
II		 Treble 12 0 2 9 98%
Tenor
I		 Treble 14 0 2 7 95%
Soprano
II		 Treble 14 0 2 8 93%
Tenor
II		 Treble 12 0 2 9 93%
Bass
I		 Bass 12 0 1 9 91%
Soprano
I		 Treble 15 0 2 9 91%
Bass
II		 Bass 14 1 1 8 89%
 
Abendlied, Bleib bei uns, denn es will Abend werden, Josef Rheinberger, opus 69, 3.
SDG
3:09 Est. Play
Time
49 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano
I		 Treble 10 0 1 4 94%
Soprano
II		 Treble 11 0 3 5 88%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano
I		 Treble 10 0 1 4 94%
Soprano
II		 Treble 11 0 3 5 88%
Tenore
II		 Treble 14 0 3 6 88%
Basso Bass 13 0 1 4 86%
Alto Treble 10 0 2 4 82%
TENORE
I		 Treble 9 0 1 5 76%
 
O, the deep, deep love of Jesus. Liefde was het, onuitputt'lijk', Joh. de Heer 548.)
SDG
1:17 Est. Play
Time
14 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Manual
I		 Treble 9 0 1 5 100%
Manual
II		 Bass 7 0 0 5 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Manual
I		 Treble 9 0 1 5 100%
Manual
II		 Bass 7 0 0 5 100%
Pedal Bass 10 0 1 5 100%
S A Treble 9 0 1 5 94%
T B Bass 12 0 1 5 94%
 
Het is volbracht! (variant I). Composed by Gertim and harmonisation improved by BSG.
SDG
0:56 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Stem Treble 13 0 3 7 97%
Bass 21 0 4 6 94%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Stem Treble 13 0 3 7 97%
Bass 21 0 4 6 94%
 
And can it be that I should gain, Thomas Campbell, Charles Wesley, TUNE:SAGINA
SDG
0:01 Est. Play
Time
33 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S A Treble 14 3 1 6 98%
T B Bass 13 0 1 6 94%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S A Treble 14 3 1 6 98%
T B Bass 13 0 1 6 94%
 
Abendlied, Josef Rheinberger.
SDG
3:09 Est. Play
Time
49 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano
I		 Treble 10 0 1 4 94%
Soprano
II		 Treble 11 0 3 5 88%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano
I		 Treble 10 0 1 4 94%
Soprano
II		 Treble 11 0 3 5 88%
Tenore
II		 Treble 14 0 3 6 88%
Basso Bass 13 0 1 4 86%
Alto Treble 10 0 2 4 82%
TENORE
I		 Treble 9 0 1 5 76%
 
20. Het is volbracht, Dutch lyrics, Nederlands, Schemelli, J.S. Bach, BWV 458.
SDG
0:54 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S A Treble 15 0 3 7 90%
T B Bass 19 0 5 5 90%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S A Treble 15 0 3 7 90%
T B Bass 19 0 5 5 90%
 
De herdertjes lagen bij nachte. Dutch Christmas song. Doesburg sampleset. Arrangement: Bernard Greenberg (BSG).
SDG
1:18 Est. Play
Time
23 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
lh Bass 9 3 2 3 100%
Organ Treble 14 10 3 4 100%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
lh Bass 9 3 2 3 100%
Organ Treble 14 10 3 4 100%
Pedal Bass 12 0 2 3 100%
Pedal
16'		 Bass 12 0 2 3 100%
S A Treble 14 0 3 4 88%
T B Bass 17 0 4 3 88%
 
All to Jesus, I surrender. k geef mijzelf aan U volkomen, (Joh. de Heer 585)
SDG
0:48 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 9 4 0 5 100%
Tenor/Bass Bass 11 0 0 7 93%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 9 4 0 5 100%
Tenor/Bass Bass 11 0 0 7 93%